Mark Twang Live

Posts Tagged ‘Blues’

www.dolphinstreet.com Short little Brian Setzer style rockabilly or jump blues lick, by Robert Renman

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„Come Back To Me Baby” (A. Walker) Recorded: Chicago, December 19, 1945 T-Bone Walker (vcl) (g) Melvin Moore, Nick Cooper (tp), Nathan Joseph, Frank Derrick (as), Moses Grant (ts), Marl Young (p), unknown (b) (d) Walker was born on May 26, 1910 in Linden, Texas of African American and Cherokee descent. When he was a young man his family moved to a region of south Dallas known as Oak Cliff where he met and learned from Blind Lemon Jefferson, another blues musician. Walker’s recording debut was “Wichita Falls Blues”/”Trinity River Blues”, recorded for Columbia Records in 1929 under the name Oak Cliff T-Bone. His distinctive sound did not develop until 1942, when Walker recorded “Mean Old World” for Capitol Records. His electric guitar solos were among the first heard on modern blues recordings and set a standard that is still followed. [Some music historians cite Ernest Tubb's 1940 honky tonk classic, "Walking the Floor over You" as the first "hit" recording to feature and highlight a solo by a standard electric guitar--though earlier hits featured electric lap steel guitars. The blues master Lonnie Johnson had also recorded at least once on electric guitar, but his innovation was neither much noted nor influential.] Much of Walker’s output was recorded from 1946–1948 on Black & White Records, including 1947′s “Call It Stormy Monday (But Tuesday Is Just As Bad)”, with its famous opening line, “They call it stormy Monday, but Tuesday’s just as bad”. He followed up with his …

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Neil Young My My Hey Hey Farm-Aid ’85
Twang Says ” Always love this song after I saw him play it live on acoustic before his band came out. He plays in down a step so tuned to a D instead of E and of course a great feel”
Tribute to Some great rock n rollers who met an untimely death. Also a bit of a tribute to the everlasting nature of rock n roll. “Often imitated, but never duplicated, Neil Young’s unique musical songwriting and playing style has influenced a generation of artists from Booker T. and the MG’s to Pearl Jam to Wilco. From alt-country to grunge, punk to alternative, rockabilly to heavy metal, blues to synth, a musical genre label will never apply to Neil and his music. An observer once wrote that “Young has always been a lone wolf – a musical chameleon, who changes his musical style and his band as often as most people change their shirt.” Crazy Horse bandmate “Poncho” Sampedro referred to Young’s musical polygamy as “a fact of life.” Here are links for special pages on Thrasher’s Wheat on Neil’s music, career, and influence. Neil Young Songs Songs like “Heart of Gold” from Harvest, Ohio, Powderfinger and Thrasher from Rust Never Sleeps and Keep on Rocking in The Free World from Freedom are beloved by his fans around the world. More on these classic songs and others. Neil Young’s Sound A collection of articles on Neil’s guitars, amps, whizzer and other equipment. Neil Young Albums Over the course of Neil’s long career stretching back to the early 1960′s and his work in Canada with The Squires, through the 70′s, 80′s, 90′s, and into the 21st century, he has produced major albums which both …

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Mark Twang says ” Love Gene Vincents original but these Stay Cat dudes do a great job of it as an impromptu unplugged version ”  Well Be Bop A Lula she’s my baby Be Bop A Lula I don’t mean maybe Be Bop A Lula she’s my baby Be Bop A Lula I don’t mean maybe Be Bop A Lula she’s my baby doll, my baby doll, my baby doll. Well, she’s the gal in the red blue jeans She’s the queen of all the teens She’s the…

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